The nature and that which is dynamic about it.
Germinaciones, Semilleros, Chaosmos: The latest works by Daniel Orson Ybarra straight away reference nature and that which is dynamic about it: the process of growth, of engenderment, of inflorescence, which go from a withheld intensity (withheld from its potential, from the future), to a dilated, relaxed and spatialized expression in its form, liquids, fruits, flowers or leaves.
The metaphor takes the place of the metamorphosis; the leaves on the tree which served as a point of departure for paintings become, in Germinaciones, wind-blown in the strictest sense of the word, a stack of transparent plastic films; each stratum is marked by an intervention, painting or drawing, on a part of its surface, in such a way that all of it together, once finished, lets the forms appear in a skilful game of hide and seek, within the context of restrained depth.